Posted by Rafi Zabor
on November 15, 2011 @ 2:25 pm | Post a comment
Opening theme: Archie Shepp: You’re What This Day is All About; The Magic of Ju-Ju (Impulse)
1. Roy Haynes: All the Bars Are Open: Roy-alty (Dreyfus)
2. Sarah Vaughan: Shulie-a-Bop; The Ultimate Sarah Vaughan (Verve)
3. Roy Haynes: Equipoise: Roy-alty (Dreyfus)
4. Pat Metheny: All the Things You Are; Question and Answer (Nonesuch)
5. Roy Haynes: Moon Ray; Out of the Afternoon (Impulse)
6. Roy Haynes: Passion Dance: Roy-alty (Dreyfus)
7. Roy Haynes: Raoul; Out of the Afternoon (Impulse)
8. Clifford Brown: Laura; Clifford Brown With Strings (Emarcy/Verve)
9. Clifford Brown/Max Roach: Delilah; The Emarcy Master Takes (Hip-o-Select)
10. Clifford Brown: Stardust; Clifford Brown With Strings (Emarcy/Verve)
11. Clifford Brown/Max Roach: Joy Spring; The Emarcy Master Takes (Hip-o-Select)
12. Elliott Carter/Ole Böhn/London Sinfonietta/Oliver Knussen:Violin Concerto; American Classics (EMI)
13. Kronos Quartet/Alim & Fargana Qasimov/Homayum Sakhi: Kohlen Atım; Rainbow – Music of Central Asia Vol, 8 (Smithsonian Folkways)
14. Olivier Messiaen/Peter Serkin: Je dors, mais mon coeur veille; Vingt Regards sur L’Enfant Jésus (RCA)
Out theme; Art Ensemble of Chicago: Strawberry Mango; Coming Home Jamaica (WB)
Posted by Todd Morman
on March 21, 2011 @ 5:36 pm | Post a comment
The Cymande, late 70s Van, Andrew Hill, Atomic Rooster and early UB40 are particularly rocking my worldview these days. A gorgeous 13 minutes of spare, groovy Nusrat Fateh Ali Khan ends the set, with a great unknown Floaters cut as the palate cleanser. Hope you enjoy.
| Time |
Song |
Artist |
Album |
| 3pm |
Guajira Sicodelica |
Los Destellos |
This LP Crashes Hard Drives |
| |
Ayenye |
Mongo Santamaria |
Afro-Roots |
| |
Yabis |
Sir Shina Peters & His International Stars |
Nigeria 70-Lagos Jump |
| |
The Message |
Cymande |
The Message |
| |
The Window |
The Apple Juice Kid |
plus + |
| |
Everybody Loves My Baby |
Melvin Jackson |
Funky Skull |
| |
Wake Up Everybody |
Harold Melvin & The Blue Notes |
All Their Greatest Hits! |
| |
You Make Me Feel So Free |
Van Morrison |
Into the Music |
| |
All The Way Down |
Esther Phillips |
Capricorn Princess |
| |
Off Duty Trip |
The Raincoats |
The Raincoats |
| |
Spare Me From the Mold |
Gossip |
Music for Men |
| |
Touch Me |
Yoko Ono |
Plastic Ono Band |
| |
Illusion |
Andrew Hill/Sam Rivers |
The Complete Blue Note Andrew Hill Sessions |
| 4pm |
Imagination (Is A Powerful Deceiver) |
Elvis Costello |
My Aim Is True |
| |
I'm Gonna Hire A Wino To Decorate Our Home |
David Frizzell |
The Family's Fine, But This One's All Mine! |
| |
Fish Walk |
Harvey Mandel |
Shangrenade |
| |
Tomorrow Night |
Atomic Rooster |
Death Walks Behind You |
| |
I'm So Sorry |
Sylvain Sylvain |
Sylvain Sylvain |
| |
Hair of the Dog |
Green On Red |
Green on Red |
| |
A Patricia |
Los Destellos |
The Roots of Chicha: Psychedelic Cumbias from Peru |
| |
Reclamo Mistico |
Armando Garzon |
Boleros |
| |
Napoleon Solo |
Lyn Taitt & the Jets |
Let's Do Rocksteady: The Story of Rocksteady 1966-68 |
| |
Signing Off |
UB40 |
Signing Off |
| |
Traditional Qawwali by Hazrat Amir Khusrau |
Nusrat Fateh Ali Khan |
Live in London December 14, 1989, Vol. III |
| |
Floaters |
Anything That Keeps You Satisfied |
Magic |
Posted by Todd Morman
on September 6, 2010 @ 3:00 pm | Post a comment
Another scattered selection. Hope you enjoy. For what it’s worth, that Simple Gifts CD of Shaker vocal pieces is wonderful stuff, and has me doing something I usually don’t like to do: read large sections of a book online. In this case it’s a sharp, informative history of the Shakers, The Shaker Experience in America: A History of the United Society of Believers, available at Google Books. The early chapters are so good I’m not even bothered by the occasional unavailable pages. I had no idea the Shakers were such punks. Lunatic fanatic punks, but still. (Oh, and reverse the song/artist names for the 2nd cut; the band is Frou Frou.)
| Time |
Song |
Artist |
Album |
| 3pm |
Radio Mellotron |
Meat Beat Manifesto |
Subliminal Sandwich |
| |
Frou Frou |
Maddening Shroud |
Details |
| |
Rides |
Organos |
The Limbs EP |
| |
Wurlitzer Jukebox |
Young Marble Giants |
Colossal Youth |
| |
Walking on Sunshine |
Rocker's Revenge |
The Perfect Beats: New York Electro Hip-Hop + Underground Dance Classics 1980-1985, Vol. 1 |
| |
N.E.S.T.A. 75 |
Antibalas |
Talkatif |
| |
Congoman |
The Congos |
Heart of the Congos |
| |
God Is Great |
Billy Preston |
I Wrote A Simple Song |
| |
Father James' Song |
Shakers of Sabbathday Lake |
Simple Gifts: Shaker Chants and Spirituals |
| |
Face to Face That I Shall Know Him |
Joseph Spence |
The Complete Folkways Recordings 1958 |
| |
Salvador |
Egberto Gismonti |
Solo |
| |
Crystal Illusions |
Edu Lobo |
Sergio Mendes presents Lobo |
| |
What Do You Do When Love Dies |
Dusty Springfield |
Dusty in Memphis |
| |
Come Back and Shake me |
Clodack Rodgers |
|
| |
It's Her Turn to Live |
Smokey Robinson |
Pure Smokey |
| 4pm |
Bulldozers and Dirt |
Drive By Truckers |
Pizza Deliverance |
| |
Til the Day i Die |
The Vern Williams Band |
Bluegrass from the Gold Country |
| |
Every Woman I Know (Is Crazy 'Bout An Automobile) |
Al Vance |
Crazy 'Bout An Automobile |
| |
Another World |
Richard Hell & the Voidoids |
Blank Generation |
| |
Kiss Your Killer |
No Knife |
...drunk on the moon... |
| |
Down |
Jawbreaker |
Unfun |
| |
Brand - New - Life |
Young Marble Giants |
Colossal Youth |
| |
Hammond Song |
The Roches |
The Roches |
| |
Fool |
Donavon Frankenreiter |
Move By Yourself |
| |
Bad News Bad Times |
Marion Williams |
Gospel Now |
| |
Lucifer |
Junior Murvin |
Police and Thieves |
| |
Love Money |
T.W. Funkmasters |
The Perfect Beats: New York Electro Hip-Hop + Underground Dance Classics 1980-1985, Vol. 1 |
| |
Mass Producing Hate |
Meat Beat Manifesto |
Subliminal Sandwich |
| |
We Need Order |
The Chi-lites |
Best of |
| |
I Don't Blame You At All |
Smokey Robinson and the Miracles |
Anthology |
Posted by Bruce Mack
on July 15, 2009 @ 9:15 pm | Post a comment
Greetings, music lovers! This is your host and producer of FWNR-X -Bruce Mack and I just wanted to let you know I did an interview last night with Michael Hill’s Blues Mob and it will be featured in hour 2 of episode 6 (7/16/09 and 7/19/09) and runs about 50 minutes, followed by a couple of the bands songs. Guitarist/vocalist/composer-Michael Hill, drummer/vocalist-Bill McClellan and bassist/vocalist-Mike Griot are great musicians and performers and longtime friends of mine who I have the honor of getting some inside scoop on their current and future projects and upcoming performances in South Orange, New Jersey at Baird Park. So please join us if you would like to get acquainted with this contemporary Blues band.
Some journalistic wisdom:
“Hill writes songs that make other young musicians seem ignorant of the real world in which we all live … Hill is truly the bluesman piloting the music into the next century.”
– Blues Revue
“Hill writes songs that make most of his peers seem either empty-headed or self-obsessed. As a singer, writer and most impressively as a guitarist, he celebrates the blues form without being shackled to it, creating a sound that’s referential and relevant at the same time. Alternately scorching and soaring solos.”
-Washington Post
“Forward-thinking Michael Hill nods to rock, reggae and New York soul. He takes chances, stretching boundaries with supple, super-charged solos … Kick-ass and world-class.”
– Guitar Player
So please join me for my first artist interview feature.
All the best, B.
Posted by Bruce Mack
on June 12, 2009 @ 10:53 pm | Post a comment
FreeWorldNetworkRadio-X is here.
Posted by Brian Cullman
on May 29, 2009 @ 12:00 am | Post a comment
THE WORST JOB I EVER HAD….
| Time |
Song |
Artist |
Album |
| 10pm |
Workin' For The Man |
Roy Orbison |
For The Lonely |
| |
Big Boss Man |
The Holmes Brothers |
Simple Truths |
| |
The Working Man |
Creedence Clearwater Revival |
Creedence Clearwater Revival |
| |
I Got A Gig |
Hayes Carll |
Trouble In Mind |
| |
We Gotta Get Out Of This Place |
The Animals |
Retrospective |
| |
Everybody Works At My House |
Jesse Fuller |
Brother Lowdown |
| |
Hustlin' And Bustlin' For Baby |
Louis Armstrong |
Complete RCA-Victor Recordings (Disc 1) |
| |
've Been Working |
Van Morrison |
His Band and the Street Choir |
| |
Blue Monday |
Fats Domino |
They Call Me The Fat Man |
| |
P**s Factory |
Patti Smith |
Land (1975-2002) |
| |
Working In A Coalmine |
Lee Dorsey |
Wheelin' & Dealin' |
| |
Work Song |
Bobby Darin |
Seeing Is Believing |
| |
The Worst Job... |
Derek & Clive |
Derek & Clive |
| |
Hard Times |
Baby Huey & The Babysitters |
What It Is! Funky Soul and Rare Grooves |
| |
Mr. Bossman |
Linval Thompson |
Six Babylon |
| |
Hard Working Man |
Captain Beefheart |
If You Got Ears |
| |
Yes Sir, No Sir |
The Kinks |
Arthur or the decline and fall of the British Empire |
| |
1891 |
Blind Blake |
Goombay Rock |
| |
Factory Girl |
The Rolling Stones |
Beggars Banquet |
| 11pm |
Work For Your Money |
Howlin' Wolf |
The Chess Box |
| |
I Asked The Bossman |
Lightnin' Hopkins |
Mojo Hand: The Anthology |
| |
Bookstore Rap |
Neil Young |
Sugar Mountain - Live At Canterbury House 1968 |
| |
Working Man's Blues |
Lonnie Johnson |
All Time Blues Greats |
| |
Work |
Scott H. Biram |
Graveyard Shift |
| |
Pay Day |
Mississippi John Hurt |
The Complete Studio Recordings |
| |
Working Man Blues |
Blind Boy Fuller |
Blind Boy Fuller Vol. 3 1937 |
| |
Cost Of Living Nar Freetown |
Ebenezer Calender And His Maringer Band |
Marvellous Boy |
| |
Gotta Get A Job |
Fats Domino |
The First King Of Rock And Roll Volume 1 |
| |
Unwanted Workers |
Firesign Theatre |
All Things Firesign |
| |
Working Man Blues |
Merle Haggard |
Choice Country Cuts |
| |
Ramblin' Blues/Workin' Man |
Mickey Newbury |
home demo |
| |
Get Back In Line |
The Kinks |
Lola Versus Powerman and the Moneygoround |
| |
Heigh Ho |
Louis Armstrong |
Disney Songs |
| |
Pay Day Blues |
Herb Jeffries |
The Bronze Buckaroo (Rides Again) |
| |
Midnight Shift |
Buddy Holly |
The Definitive Collection |
| |
Sixteen Tons |
Tennessee Ernie Ford |
Hotdogs, Hits And Happy Days |
| |
Big Boss Man |
Jimmy Reed |
The Very Best Of Jimmy Reed |
Posted by Todd Morman
on April 12, 2009 @ 3:00 pm
Here’s avante-garde pedal steel-player Susan Alcorn’s site (the links page looks great) and an informative Allmusic review of the collaboration with Eugene Chadbourne. Chadbourne would be a great fit for a live Taint performance at Marsh Woodwinds. Just discovered Bird Names, an experimental group out of Chicago making dense, psychedelic, catchy noise. Picked up the cd used at the local store and can’t wait to get their most recent one, which one reviewer describes as “a collection of music boxes caught in a traffic jam” and “a lost track from the Beach Boys’ Pet Sounds, that is, if it had been mixed by a monkey.” Sounds perfect. The “Violin” piece by Oregon is a collaboration with Polish jazz violinist Zbigniew Seifert, who I like to think I’d have heard of before now if he hadn’t died young of cancer in 1979. Turns out there’s a new documentary about him that’s just been released. Here’s a short interview at Jazz Fiddle Wizard. Oregon’s Wikipedia page claims “Apollo astronauts took a recording of Oregon’s music to the moon and named two lunar craters after compositions by the ensemble - ‘Icarus’ and ‘Ghost Beads.’” I have no idea if that’s true. The album by Yoon Sun Choi and Jacob Sacks got a decent amount of positive jazz press last year; it’s a collection of sharp/funny/warm improvisations on the music of Joe Raposo, best known as the composer of Sesame Street gems like “(It’s not easy) Bein’ Green” and “Sing.” (Raposo was also pals with Sinatra and has a number of songs on the album “Ol’ Blue Eyes is Back.”) It’s astonishing what Choi and Sacks do with these songs, and there are lots more quirky Raposo gems on Youtube, including this one written for Kermit and Ladysmith Black Mambazo. The only question is how far down the Muppet fandom rabbit hole do you want to go? Otolithen (more) and Disque 9 are two more finds from local used bins; I liked this Disque 9 review at the great Egg City Radio, where you can download the album for yourself. Silica Gel is a hilariously dark experimental techno duo from the Wifflefist collective, a local noise/rock label active in Raleigh during the 90s. Great group of folks.
| Time |
Song |
Artist |
Album |
| 2pm |
Hello Stranger |
Susan Alcorn/Eugene Chadbourne |
Afternoon in Austin...or, Country Music for Harmolodic Souls |
| |
Smoovebiz |
Bird Names |
Wooden Lake/Sexual Diner |
| |
Violin |
Oregon |
Violin |
| |
La, La, La |
Yoon Sun Choi & Jacob Sacks |
Imagination: The Music of Joe Raposo |
| |
Beach of Teeth |
Bird Names |
Wooden Lake/Sexual Diner |
| |
the dread and the counting |
Disque 9 |
Des Incurables |
| |
The Muscler |
Silica Gel |
50) Noisy Children Party |
| |
Recycled Pipe Dream |
Otolithen |
S.O.D. |
| |
Not Much of a Dog |
Yoon Sun Choi & Jacob Sacks |
Imagination: The Music of Joe Raposo |
Posted by Kevin Spurlock
on October 19, 2008 @ 12:34 am | Post a comment
FCC engineers say they have found no technical reason not to move forward on a proposed plan for a nationwide, free wireless Internet service . T-Mobile, which uses spectrum adjacent to the bands in question, had argued against the proposal, suggesting the new service‘s signals would interfere with the company‘s 3G wireless network.
The report clears the way for the FCC to move forward with a plan to auction off airwaves to a bidder who agrees to offer free, national wireless Internet service. The FCC is expected to finalize rules this year and could begin auctioning off airwaves in early-to-mid 2009.
T-Mobile has fought FCC Chairman Kevin Martin’s proposal to encourage development of free Web access by raising concerns that the service would disrupt the company’s 3G wireless network, for which it charges customers. But FCC engineers said recent tests in Seattle showed the airwaves could be used for a wireless broadband service “without a significant risk of harmful interference.”
“This report confirms that we’re able to move forward with broadband services as proposed by Chairman Martin without causing harmful interference to license users of adjacent spectrum,” said an FCC spokesman.
The network would have to reach 50% of the U.S. population in four years and 95% within a decade.